London, Liverpool Street Station, 15th January 2008, 11am
flashmob turned into advertising

Saatchi & Saatchi for T-Mobile, postproduction TheMill

posted : Tuesday, January 20th, 2009

recreating the D day with only 3 people.

stunning.

posted : Wednesday, October 8th, 2008

radiohead cover just with oldtech objects.

genial.

posted : Wednesday, October 8th, 2008

Gregory Crewdson works on large format images that are reminiscent of film noir with their depiction of small town America. They show you enough information to build a narrative, but that narrative is built in the mind of the viewer and requires their participation as the images themselves are purposefully ambiguous.
The production of these images is gargantuan with Crewdson working with a crew of up to 50 or 60 people just as in a movie production. Either on a sound stage or on location the production is executed of a series of days with lighting rigs, props and actors all directed by Crewdson. He uses an 8×10 Large Format plate camera and takes around 40 or 50 sheets of film to create the one image which is then created digitally during post production from the shots made. The idea is to create a hyperreal level of depth where everything is in focus, meaning that when you stand in front of the massive 2.5m wide prints you can fully experience this reality, so much so that you can’t take in everything at once, our eyes aren’t capable of the level of focus that has been achieved.
via danponting

Gregory Crewdson works on large format images that are reminiscent of film noir with their depiction of small town America. They show you enough information to build a narrative, but that narrative is built in the mind of the viewer and requires their participation as the images themselves are purposefully ambiguous.

The production of these images is gargantuan with Crewdson working with a crew of up to 50 or 60 people just as in a movie production. Either on a sound stage or on location the production is executed of a series of days with lighting rigs, props and actors all directed by Crewdson. He uses an 8×10 Large Format plate camera and takes around 40 or 50 sheets of film to create the one image which is then created digitally during post production from the shots made. The idea is to create a hyperreal level of depth where everything is in focus, meaning that when you stand in front of the massive 2.5m wide prints you can fully experience this reality, so much so that you can’t take in everything at once, our eyes aren’t capable of the level of focus that has been achieved.

via danponting

posted : Friday, August 15th, 2008

cws ad. say no to dirty

discoteca, fighe e cocaina. che manca? 

posted : Thursday, April 24th, 2008

posted : Friday, April 18th, 2008

Revenge of the gangbang zombies

lo avrei voluto fare io.

posted : Friday, April 4th, 2008

Schweppes Burst 

Agency : George Patterson Y&R, Melbourne
Executive Creative Director: Paul Catmur
Director : Garth Davis
Prod. Co. : EXIT FILMS

posted : Thursday, March 13th, 2008

Louis Vuitton ad - a Journey  


Agency: Ogilvy, Paris
Creative: Christian Reuilly
Director: Bruno Aveilla
Agency Producer: Laure Bayle
Music: Gustavo-Santaolalla

posted : Thursday, March 13th, 2008

il video dei Justice DVNO è ovviamente ispirato a grafiche e loghi corporate anni ‘80. è un lavoro di citazioni incredibilmente accurato.

questo è un dietro le quinte di come facevano i bumper televisivi della HBO. erano capaci di fare quello che la loro tecnologia non era in grado di fargli fare. 

posted : Wednesday, March 5th, 2008